Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Saturday, March 2, 2013

The Eyre Affair

Written By Jasper Fforde
Original Publication Date: 2001
Rating: 2 Stars

Book Notes:
22%
Jasper Fforde is certainly tipping his hat to 1984 with the Goliath Corporation and the Crimean War.

28%
"HyperBookwormDoublePlusGood."  That hat tip to 1984 just became a deep bow.

61%
THURSDAY.  WHAT.  IS.  WRONG.  WITH.  YOU?!

Your uncle has been kidnapped.  The bad guy just shot the crap out of your unit.  He's probably going to kill Martin Chuzzlewit, and possibly your uncle when he realizes he's been duped.

AND ALL YOU CAN THINK ABOUT IS A MAN YOU BROKE UP WITH 10 YEARS AGO?!    YOU BROKE UP WITH HIM.  GET OVER IT!

Review:
I had such, amazingly high hopes for this book.  I adored Shades of Grey  (no, not Fifty Shades of Grey, Godfuckingdamnit) and assumed that a novel written by the same brilliant quirky mind in a universe where you can step into novels, especially when stepping into one of my all time favorites, Jane Eyre, would be of the same caliber, if not better.  I was bloody disappointed.

Thursday Next is the stereotypical drop-in Female Agent Character; see The President's Daughter and Sympathetic Sue, from tvtropes, to see what I thought of how her character was built.  She was wanted by various parts of Special Ops because of what her father did in the Chrono Guard.  Her brother was lost at war, and because of something to do with this fact, she also broke up with her fiance of the time.  My real problem with Thursday as a narrator was that her entire focus was on the "pity me" crap from her past.  All she can think of during the climax(es) of the novel is of Landen, her ex-fiance.  I know she's a woman, but come on Fforde, we do think of things other than our men.

It made me want to kick her in the face hole.

Acheron Hades - what an evil name, right?  Okay, so he's kidnapped Thursday's uncle because he built the machine and bred the bookworms that allow one to step into fiction.  Okay, so he's stolen a manuscript or two.  But Gods above, he is taken as such Serious Business, and I don't see him as as evil as his name and his adversaries seem to make him out to be.  It just escalates too damn quickly for me to really see him as a villain, instead all I saw him as was a mostly-invincible dolt who wanted to be evil.  He was a Card Carrying Villain, instead of a truly evil man.

What really, really, disappointed me though, was that even though this novel is called The Eyre Affair, we don't really get to jump into Jane Eyre until two thirds of the way through the book, and it was so random after the first 2/3.  It seemed like two different stories that were really only barely related to one another.

It did earn itself a star because the stuff with Jane, Rochester, and Thursday was pretty fucking cool.  I just wish there'd been more of it.  And the parallels between Jane and Rochester and Thursday and Landen almost made Landen bearable - almost. 

And that ending!?  Dear Gods, we wrapped it up with a neat little bow.  And they rode off into the sunset, Happily Ever After.  

Headdesk.  Please excuse my while I shoot myself.

I am honestly not sure I care enough to read the rest of the series, which is really, really sad because I so loved Shades of Grey (I recommend it to everyone!).  I just fear that while this was Fforde's first novel (obviously) that this lack of editing continues.  He really needed a good editor for this book, but the series has done so well that I'm afraid he's been given free reign.  Though on the flip side of that same coin, I'm sure that in the past 12 years, the man has matured as an author and it'd be interesting to read one of the more modern Thursday Next stories.  Hmm.  We'll see.

Thursday, January 31, 2013

and all the stars

Written By Andrea K. Host
Original Publication Date: 2012
Rating: 3 Stars

Book Notes:
I received this ebook for free from the publisher, via NetGalley.

3%
Toxic ... glitter?

92%
I just spent way too long trying to figure out how these people were flashing their torches.
Torches = Flashlights.  Derp.
Silly Australians.

Review:
Firstly, this cover is friggin' gorgeous.  I thought the little thumbnails I'd seen were beautiful, but when I blew it up for this review I realized how much detail I was missing, in the model's eyes, specifically.  and all the stars, obviously refers to the stars under the model's left eye, but honestly the more I look at this cover, the more I like it - it also could have been a reference to the sparkle in her eyes, or even the freckles on her neck.  Basically, the cover art gets a full five stars from me; the photographer in me enjoys all the details.

The books opens on Madeleine, regaining consciousness, in what used to be a train station - used to be.  She's surrounded by rubble, dead bodies, and a bizarre glittery dust is in the air.  All this destruction is caused by giant, featureless towers that seem to have sprouted from the Earth, spraying the strange dust that sparkles.  Finding her way out of the rubble, she is able to call her parents, and make her way to her famous cousin's apartment, where she showers off the glittering dust that she has become coated with.

Watching the news, and her own body, Madeleine discovers that she is turning ... blue.  Some of the population, like her, is turning blue, and some are turning green.  Not everyone is surviving this transformation, however, and soon those that do are seeking each other out to test what other changes this dust has brought to them.

The answer?  Hunger Games for body-hopping aliens!

I must say, I enjoyed quite a lot about this book.  The story was interesting and a bit unique in that it's definitely a post-apocalypse, but cell phones and news networks are still working and running - being taken care of by those that survive.  Usually post-apocalypse stories have a much more pessimistic view of the population, that people would chip in and actually keep things running, even if they're teens?  I don't know if I love it because it's got an optimism to it, or hate it because I'm not sure I can believe that that would happen.  I chose to love it.

I really liked the people that Madeleine teams up with, I find them to be fairly accurate representations of our teenage population.  My problem however, with these people is that they're fairly interchangeable.  They all different skills, but I had a really hard time remembering which one was which person.  It was rather confusing.  

I also found the flow of the writing not quite right.  Personally, I was definitely thrown by the amount of Australian slang, but that wasn't the only reason that I didn't think it flowed well.  Some of the sentences, I read quite a few times and they still didn't make sense, even within the context of the sentences before and after.

My last complaint was the Epilogue.  The book ended in a satisfying way, and then there was this epilogue that felt like someone screaming AND THEY ALL LIVED HAPPILY EVER AFTER!  THE END!!!  This is a problem I've seen in quite a few YA novels, the authors want to tie everything up, but it doesn't need to be gift wrapped for us.  Nothing wraps up that nice in the real world, and it seems like a cop-out.

In Summary:  Good book, with some problems.

Sunday, January 6, 2013

Jenny Pox

Written By J.L. Bryan
Original Publication Date: 2010
Rating: 4.5 Stars

Book Notes:
As of this moment (01/06/2013 10:10pm), this book is available for free for the Kindle.

3%
Morton.  That's an appropriate name.

69%
You know, not a single popular girl in my high school was involved in her church, and certainly not in a manipulative sort of way.  I am not pleased by this church-going-manipulative-abstinent-bitch-popular-girl trope, not at all.  I hate it in Glee, I hate it here.  Though I think that's a rant for another day, because I liked this book too damned much to bitch about that ... much.

Review:
Jenny Morton is for all the world a normal girl.  Except she's not, not even a little bit.  Jenny can't ever touch another person or living creature without killing them of disease.  The book opens on a very young Jenny having the "don't touch anyone" rule being reiterated by her father.  She had picked up a snake that had erupted in disease and died on contact.  A fairly minor incident with kids on the playground leading in only a breakout of some sort of pox, but no death leads us to where the bulk of the book takes place.  Jenny is now 18 and wears long sleeves, long pants, and gloves at all times in public.  This reduces her risk of touching anyone at all, but has earned her the cruel nickname: Jenny Mittens.

Jenny's biggest enemy is a girl named Ashleigh.  Ashleigh is also 18, she is active in her church, running an abstinence program, is captain of the cheerleaders, is running for class president, and is generally loved by everyone who comes into contact with her.  When it comes to Jenny, however, Ashleigh has a dark and cruel side, which is helped not at all by the fact that Jenny isn't madly in love with her like the rest of the town.

Things get a little better for Jenny when she's going for a run, and meets up with Seth, Ashleigh's boyfriend, over the broken body of her dog - which had been hit by a car.  Jenny discovers that she can touch Seth and they strike up a friendship.  The obvious happens, and they fall in love, leading Ashleigh to hate Jenny even more.  This "school girl rivalry" is brought to an epic height in the ending of the novel, but you'll just have to read it to find out what that is.

One of the best parts of this novel?  People actually die.  We're not talking tame-ass young adult, "oh no they died, we're so sad," kind of death.  We're talking people melting and exploding and bleeding profusely.  They die horribly, and it is wonderful.  It's a story about a girl who brings death with her touch, it's nice that the author doesn't shy away from the kind of reality that it would bring.  It's actually one of the only times in the novel that the gender of the author shines.  It's strange to find a male author that does YA  fantasy like this well.  Fuck, it's strange to find a female author that does YA fantasy of this sort well.  There's something about the "Paranormal" genre (which I think was made up for marketing piss-poor fantasy romances, but that's a whole different rant) that usually drives me crazy.  It was really, really, nice to read one that was not only a good novel, but a good novel where the romance is secondary to the meat of the mythology created for the series.  I love a good Fantasy YA novel, and I think this was it.

Thursday, January 3, 2013

Brightest Kind of Darkness

Written By P.T. Michelle
Original Publication Date: 2011
Rating: 3.5 Stars

Book Notes:
As of right now, 7:54pm on 01/03/2013 this book is free for Kindle.

20%
I feel a YA love-interest rant.  I don't think P.T. Michelle deserves it any more than most YA authors, but I've had it up to here with this kind of love interest.

23%
This asshole had better not be a vampire or a werewolf.  I was enjoying this book.

43%
Okay, that's less annoying than being a vampire, but I still don't understand the 'leaping fences in a single bound,' thing.  It's a bit baffling.

Review:
Nara (legally Inara) has had a gift for most of her life.  Well, she seems to consider it a gift, I'm not sure I would - it sounds terribly boring.  Every night she dreams how her day will unfold in the coming hours, from beginning to end.  Due to an event from when she was a child, she doesn't like to change the timeline because she can't see (or always understand) the fallout.  That all changes when she dreams of her high school getting bombed; she cannot just sit back and watch, so she makes an anonymous tip to the police from a Wal-Mart.  This good deed throws her life into chaos.  Her powers seem to have mostly disappeared (except sporadically), and she doesn't know how to live her life in the real world without the precognition that's known for so long.  Even though that was boring to her, this is terrifying.

I think watching Nara trying to adjust to her powers being gone could have been a novel in and of itself.  It's fascinating.  It is really like she lost one of the major senses that she had used to understand her world.  With it gone, she's thrown into utter confusion.  Of course, she'd get used to it, but it's tantamount to someone losing their hearing or their sight; she's at a total loss when it disappears.

While all of this is going on, Nara is also navigating high school.  Her soccer team-mates are less than understanding when she stops blocking every single goal that comes her way.  Her best friend starts dating a douchenozzle and pulls away from her.  On top of this, she's falling for the new kid who is considered dangerous by almost everyone she knows.

Here is my love interest rant:  Ethan is taller than her, muscular, with long dark bangs and blue eyes.  He has a mysterious past.  He's been expelled from his last school.  He doesn't have any friends in this new school.  Her friends warn her about him continuously.  He draws dark things in his notebook and is tattooed.  Of course, you know he's just misunderstood.  He had a reason to do whatever he did at his last school.  And of course he falls madly and quickly for the heroine, doing whatever it takes to protect her.  Because all heroines need protecting, obviously.

Young Adult authors need to come up with a new love interest.  Fucking pronto.  You could transplant Ethan into any number of YA novels and nothing would need to be changed.  He's the generic "bad boy."  The problem is he's not a bad boy.  He's a troubled kid with no distinguishing characteristics from other troubled kids written into YA in the history of the genre.  I'd blame Twilight but really this problem preceded that piece of garbage.  However, I must say that Ethan was so much like every love interest since Twilight that I really was afraid that the guy was a vampire.  I would have stopped reading.

Please, please, please, I beg of you, please start thinking of new male love interests for female heroines in Young Adult Literature!  I'm on my hands and knees here.  I like YA, but I'm sick of reading the same exact love story over and over again.
/love interest rant

What is most interesting about this book is that even though it started a pretty basic YA fantasy, moved into annoying Twilight-zone, it ended in a very interesting Final Destination type of story-line.  Fate plays into it and is less than pleased with Nara and Ethan.  Everything is a domino effect in this novel, starting from the very beginning and it actually caught me off guard a little.  I probably would have picked up on it sooner if I weren't so focused on how much Ethan better not be a fucking vampire, damnit.

I ended up very much enjoying this novel.  I was pleasantly surprised by how it ended, honestly.  While nothing was really wrapped up (it the first in a trilogy) it was a unique sort of ending.  The personification of Fate was really well done, in my opinion.

Wednesday, January 2, 2013

Abraham Lincoln: Vampire Hunter

Written By Seth Grahame-Smith
Original Publication Date: 2010
Rating: 3 Stars
Book Notes:
Page 32
"'I have since learned to distrust such stillness,' Abe wrote in 1852, 'as it is always, always prelude to some great calamity.'"
Unfortunately often true, even without vampires.

Page 41
Sarah Bush Lincoln?  I wonder if her maiden name was Bush?  Evan (my boyfriend) says that our past president Bush (and Bush) have traced their lineage back that far.  I wonder if it's true.

Page 114
"If we are to enjoy the bounty of the Mississippi, it shall need to be greatly improved, so that steamboats may navigate it freely."
There's some sort of parallel to the slavery issue here that I can't quite put into words.  Free a choked river for the bounty; free slaves for the bounty of a country.

Page 37
"I wept, for each of these boys was Willie.  Each of them had a father cursed as I am cursed; a mother weeping as Mary weeps.
I'm trying to imagine any modern president be so involved in the losses involved in war.  I can't.  We're so desensitized.

Review:
Abraham Lincoln was so damned cool in reality, that the story of his true life that went on behind the added Vampires actually overshadowed the Vamps!  Honestly what this book did was whet my appetite for a good ol' fashioned Abe Lincoln biography.  I want to know how much of what was said of Abe was truth.  I honestly think it was most of it.  I know that Lincoln kept obsessive journals, I don't know why I never thought of the fact that that would make him an exceptional president to write post-mortem bios about.

The vampires were a fun add-on to the Civil War, but as I said Lincoln's life was simply so interesting that they were unnecessary!  I found myself looking forward more to the parts of his life that didn't involve the vampires.  His relationship with his father.  The pre-Mary love story triangle.  The kids.  The emotion he showed.  Those were the things I loved about this novel.  The vampires were almost boring compared to the man that Lincoln was.

Shortish review today.  I finished this book on New Years Eve, and then proceeded to get shit faced, so any really sophisticated thoughts I had have disappeared.

Sunday, December 23, 2012

Elegy Beach

Written By Stephen Boyett
Original Publication Date: 2009
Sequel to: Ariel
Rating: 3 Stars Out Of 5

Book Notes:
Page 13
Ariel came out in 1983, and takes place 6 years after the Change.  Elegy Beach takes place some 27 years after the first book, but it was also written almost 30 years later.  They're learning about the Internet in history class?  Me thinks that when the lights went out in 1983 the internet didn't exist.  Continuity fail.

Page 24
Pete from book one named his sword "Fred," in the first novel.  The second book focuses on his son... also named Fred?!

Page 79
Questions: they require question marks.  Boyett seems to have forgotten that question marks aren't optional. Did anyone actually edit this book?

Page 145
The smart ass unicorn is by far my favorite character in this series.

Review:
Fred has grown up in a post-Change world.  Magic has become a new tool for protection as well as for trinkets - but no one really understands the way it works.  It's all part of the trading world that has become the commerce industry.  He is 17 and apprenticed out to the resident caster, but he feels as though he has more talent than PayPay is allowing him to use.  His best friend, Yan, is learning casting from Fred, but they're also going further and faster than PayPay would have allowed.   They have a theory that magic is the science of the post-Change world. that it's similar to programming a computer, in that there is a language that the universe understands.

I really like the way magic is approached in this novel.  It makes the very vague Change from the first book make a little bit more sense.  They explain that somewhere in the world at 4:30 on the day of the Change, something - we don't know what - happened that changed the laws of physics.  As the world rotated into that spot in the universe, the whole of the world changed.  Some of the old rules of the world still applied, like gravity, but for the laws of physics just changed in such a way that magic became the new science.  It became the new reality.  I really like this approach.  The author gets big props for this after how randomly vague the first book was.  This was still vague, but in a more thoughtful, thought out approach.

Yan at one point in the novel is offended by what PayPay says, and burns down his shop.  Finding this out, Fred kicks him out of town.  This is when Ariel, the unicorn, returns.  She has a story of caster who killed her mate, which from the kind of magic that was done, Fred assumes it was Yan.  With Pete, Yan's father, and of course Ariel they head out to find and stop Yan.  Finding his grimoire, Fred learns that what Yan really wants to do with the power that he has discovered is reverse the Change, in effect killing Ariel and all the supernatural creatures that came with her.

This book in some ways is leaps and bounds better than Ariel, in that it had a much juicier plot and it was less skittish about sex.  It seemed like a much more grounded novel, even though it wasn't any less fantasy-driven.  However, do you have any idea how difficult it is to read a book when the author doesn't always use question marks.  It's hard to tell what is a question, versus a statement.  Isn't it.  He used them sometimes, but damn it was difficult to read other times.

A fun read, for sure, better than Ariel, but not really anything special at the same time.

Thursday, December 20, 2012

Ariel

Written By Stephen Boyett
Original Publication Date: 1983

Rating: 2.5 Stars Out of 5

Book Notes:
Page 84
"Fred"?  He named his new sword "Fred"?

Page 134
"You moved around a lot in your sleep.  You kept ...rubbing yourself.  You know, on your ... crotch.  It bothered [her]."

HEADFUCKINGDESK

Page 143
He categorizes his sex dreams as "bad dreams."  Whatnow?

Page 224
Ugh.  A Twin Towers: Two Towers reference.  I remember when the movie came out I had to explain to numerous people that no, they didn't need to change the name of the movie out of respect for those who were lost on 9/11, because the Twin Towers didn't exist when Tolkien wrote The Two Towers.  Pet Peeve of DOOOOM.

Page 272
"A bit Tolkien-ish, isn't it?  Washington going to war with New York."

If by Tolkien-ish, we mean that there's a necromancer, like there is in The Hobbit?  Then sure it's Tolkien-ish.  Otherwise, no, not really.  This author seems to like to compare himself to Tolkien.  It is inaccurate and cocky as hell.

Review:
I'd recommend this book for mature-ish 15/16 year old boys.  It's gory and sex-filled.  However, it reads better if you think of Pete as a 16 year old boy rather than a 20 year old.  It doesn't quite qualify as Young Adult, but it comes close.  Pete is a good Young Adult hero, what doesn't make it Young Adult is the length, sex and gore.  The writing style even puts it at borderline Young Adult.

I'm pretty sure I just read a 400 page metaphor for a boy going through puberty; either that or it's a 400 page metaphor for a boy losing his virginity.  Five or six years is a really long time to go through the worst of puberty.  The lights, cars, and guns stopping working is even called The Change! 

The fact that guns stopped working was pretty damned arbitrary, by the way.

When The Change happened, Pete was 14 or 15, just a normal nerdy teenage boy.  He went to his debate event and even when the lights went out, at 4:30, they opened a window shade and kept going.  He walked his girlfriend home in the dark, and when her folks weren't home, they walked to his place with the plan to go back the next day.  They'd spend opposite nights in each others' houses until one set of parents made it home.  Surprisingly enough, that plan didn't work, and that night Pete headed out on his own.

Two years after The Change, Pete was bathing in a clean stream musing on how quickly the waters cleaned up after technology stopped working.  When he looked up, there was a unicorn standing amongst his clothing.  When he got out of the stream, Pete could tell that the creature had a broken leg, and it spoke!  After the Change, mythological creatures started cropping up everywhere.  Unicorns, however, only show themselves and allow them to befriend the purest, the virgins.  Pete names it Ariel.

The sex thing in this novel is so weird.  Pete is so afraid of his own sexuality.  He is so afraid of his sex dreams and when he masturbates in his sleep he really bugs out.  I know he's afraid of losing Ariel, but dear Gods, he's supposed to be 20 or so.  I know the world is different, but it's not so different that men and boys stop physically maturing.  Even though it may have been weird having no one to talk him through puberty, he clearly knows what sex is from the way he describes his dreams.  But he's so goddamned afraid of it and every time someone comes onto him or admits to have had sex, he gets nasty.


Five or six years after The Change is when the bulk of the novel takes place.  (In the novel it says six years, but on the blurb, it says five.  Consistency fail.)  Ariel and Pete have been wandering from town to town, when they meet men on the road who will do anything to posses Ariel, especially her horn.  These men are led by an evil necromancer, who lives in New York City.  They go on a quest, to defeat him, walk to New York where Ariel is taken.  Making a few friends along the way, Pete is able to free Ariel, but only after it is too late for his innocence.

Oh, he wants to kill us with his powerful magics?  We should walk right into his lair!  HERP DERP!

Also, what is it with these characters crying all the fucking time?  After The Perks of Being a Wallflower, I thought I was done with the sobbing main male characters for a while.  I picked up a post apocalyptic book, for Godssake.  But no, Pete cries at everything.  Come on!  Every time he's over tired, scared, confused, angry, etc. etc. etc.  He's been living in this world for 5 or six years, by himself.  Why hasn't he grown up a little more?  At the end of the book Pete finally grows up.  There's an event that forces Ariel to turn away from him.  He couldn't stay a child forever.  Thank Gods.

Two and a half stars because, regardless of how weird and unsettling and arbitrary the sex, gore, and world was, it was actually a fun read.